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Jeremiah and Gloria walk into the theater of the paradise. Throughout the episode, music faintly plays overhead and seems to change with the mood.
Jeremiah:
That is several hundred square feet of beaded, aluminized vinyl. It’s not a silver screen but those can get a little glossy in my opinion. It’s a matte gray finish, not ideal for some films but really gives a nice contrast for black and white movies.
Jeremiah:
When I first walked in I said “They don’t make them like this anymore.”... Didn’t know how right I was.
Jeremiah:
Alright then... Act I. Establishing shot: Knoxville, Tennessee. 1981. We see a young man named Jeremiah Franco, 23, rakish good looks (if you don’t mind me saying). Jeremiah is on his way to work with a smile on his face. He is clean, he is put together, he is smiling. We see on his shirt he wears a name tag: “Noah and Kaiti’s Grocery and Supply, General Manager”. He looks far too young to be holding such an important position.
Jeremiah:
... Apologies. Old habit... The young man is me. I had decided to skip college. I was a terrible student and my parents had no intention of throwing good money after bad, so it was off to the workforce for me. The go-go 80s had just begun and, I’m ashamed to admit, I was a bit of true believer. Work hard, climb the ladder, get ahead... For some reason I was applying all of that to working at small, independent grocery store in Knoxville. And within just a few short years I was the general manager. The titular Noah and Kaiti had retired and said enough to Tennessee, they had moved down to Florida and started a weekly newspaper called “The Gabber”. “Helping protect democracy in Florida.” How’s that going, by the way?
Jeremiah:
So there I was, I was twenty-three years old and was the king of my little corner of the world. Up Next: find a nice lady, have some nice kids, have a nice life... And then one night, I had just closed up shop and there was a knock on the glass. Two young men. Younger than me even. And one of them carried a portable movie projector with him. I thought it was a bit odd, so I unlocked the door and asked if I could help. Kacey Howe and Bryan Barletta were their names. They said that they were making a movie. They had already shot half of it and they had decided to go door to door to local businesses looking for investors to finish the rest of it... I was very confused. Movies? In Knoxville? That’s not where people make movies. That happens in Hollywood. But these two young men had taken a few classes at Vanderbilt and they had decided to hell with it. They were going to make a movie... I should’ve turned them away but, I had to see it. So I invited them inside and we set up in the cereal isle. They projected what they had shot on all of the white cereal boxes... I’ll never forget that. Those ghostly images dancing across the boxes of Corn Flakes... It was a terrible movie. It was about an entire inlet on Puget Sound that had been possessed by an evil spirit. “Lucid Harbor”, they called it... It was forty-seven minutes of footage and I was a changed man by the end of it. They had made something. They just decided to make something and then there it was... They left the store that night with every penny in my savings account... But they didn’t know anyone in town. They were shooting nearby in LaFollette, trying to make Norris Lake look like Puget Sound and they were going door to door. And guess who knew everyone in town? In a few weeks we had the money they needed, about another month of principle photography and then... it was done. We had made a movie. We took it to a horror film festival in Chicago that Spring. We screened it in front of a crowd of one hundred and sixty-three people... They hated it so much. By far the worst thing at the festival that year. But I watched the crowd watch the movie... They would laugh to each other, yell at the screen, throw popcorn... When the lights came up, nobody in that theater was a stranger... They all had an experience together. It was like they all knew each other now. By that time the next day we were already working on the next one... And that was the next two decades of my life. I produced fifty-three films altogether. All of them outside the Hollywood system, all of them delightfully bad. “Miss Nixie the Space Princess”, “Shadow Rapture”, “Mr. Me, Myself and I”, “The Madness of Dr. Dr. B”, and of course, my personal Laurence of Arabia, “Killer Zamboni”.
Jeremiah:
And then... The internet had just begun its slouch toward Bethlehem at the end of the nineties. The world was changing and I began to feel like a bit of a dinosaur. Kids in film school started having more production power on their desktop than I had in an entire warehouse. The world was demanding that I change with the times and after a few years of giving it a try I decided to, very respectfully, say no. The future was not for me and I was ready to just let it go. Watch it sail off into the distance.
Jeremiah:
... And then suddenly... I thought I had just spent so much time with my head buried in work that I never bothered to notice this place in my neighborhood, but I turned the corner one day and there was, somehow, a mid-century, single-screen, movie theater. Out of idle curiosity I walked in and... I imagine you know the rest.
Jeremiah:
You know how time works here, I really have no idea. But eventually I was on some planet somewhere and along came Leif. He was looking for a new life, as I’m sure yours was too. He didn’t know anything about being a projectionist, but you know how he is with machines. He became handy very quickly.
Jeremiah:
And then along came Marguerite and P.J.. Now I had an engineer who could make anything and an astrophysicist who was actually starting to make sense of the place, which I never thought would happen. Others will join us for a while but this is the core group. It’s a good group. We’ve been through a lot together.
Gloria:
Well... It all started in the middle of a pandemic that had paralyzed the world. A woman named Gloria locked the doors on her taqueria for the last time, and wondered where life would take her next.
Marguerite:
It’s deliberate cellular degradation. You degrade the cellular integrity for greater nutritional absorption in your body. If it was null entropy you couldn’t cook food.
Marguerite:
So that shifting point of null entropy you found back then? It’s a shifting point of something but there’s all kinds of entropy going on.
Marguerite:
Right, stuff like that is happening. Trust me. The gray hair had been creeping in for years and it has stopped dead in its tracks, I’m not getting any older, which is amazing because, look at me, I’m in my prime.
Ava:
P.J., I’ve heard of stepping out on your husband but you’re the first to step out of space and time on your husband. It’s commendable.
Marguerite:
Okay. Well. When last we left our heroine, she had been fired from her lofty university position because she was caught boinking the Dean’s wife.
Polly Jean:
But Marguerite was a little new to having a life crisis, so it was an adjustment period.
Marguerite:
But seriously, what do you do when you’re kicked out of the magical kingdom? I’m sure I could’ve gotten some random adjunct position in some little corner of nowhere but I couldn’t imagine stepping up to the chalkboard again. Get this, I even considered becoming a chemist.
Polly Jean:
My husband got all our friends in the divorce and the only person she ever talked to at Cornell was you so it was just us. We were really starting from scratch.
Marguerite:
Right? But then, if you factor in infinity, then there are infinite Marguerites and infinite Avas, so It’s not that huge of a coincidence.
Polly Jean:
And sometimes she would walk into her little toadstool house and open her closet and she had the same dress over and over again.
Marguerite:
In some universes the only difference is a tree in Macon, Georgia being on the other side of the street. Changes in these universes don’t have to be extreme. Your mom was a nightclub singer, right?
Marguerite:
Right, all that’s the same even though we’re highly likely from different universes. Oh, AND, the more similar the universe, the closer they are to each other. I think. You always described it like a string of pearls stretching out to infinity, but do you remember the time I came into your office with all that CMB data?
Marguerite:
Right but you were wearing your hair up and you never do that and I was like “are you wearing your hair up?” And you said “shut up.” And then took it down.
Marguerite:
Yes! I said, “look at this CMB data. What are these inconsistencies?” I called it a bruise on the universe. And you had a theory about it.
Marguerite:
Right. Like a watermelon that grows with only one side facing the sun, the underside is white and not as strong. There are bruises in the cosmic microwave background where our universe touches another. So rather than a string of pearls, it’s more like a DNA helix, with each universe riffing on the previous one.
Marguerite:
And this is what always happens. We pick up a thread, we follow it to it’s ultimate conclusion and we end up face to face with who? Gottfried Wilhelm goddamn Leibniz again.
Marguerite:
I know you have, my little closet philosopher. Ava, you and I know more than any physicist in history. The nature and journey of the universe? Check. Multiverse theory? Check. We’re running out of ways to ask “What is a universe?” Which means eventually we have to face the next question. Not “What is existence?”, But...
Ava:
This is why I hate principles. They can’t be proven. Every time Leif brings up the Principle of Fecundity I throw things at him. There’s no way to confirm PSR.
Marguerite:
Not for all the other apes out there, but for you? For me? For all the other infinite Avas and Marguerite’s taking a ride on time-traveling, dimension-spanning diners and movie theaters? It’s in our reach, Ava. Not just a theory of everything... the meaning of everything.
Marguerite:
Ha! Come back to our room, I’ve got this stuff from Australia. Wasabi Loob Moonshine. You’re going to love it.
Paradise Leif:
This is the projection room, obviously, but as you can see I’ve got about nine projects running right now.
Paradise Leif:
Oh yeah. Trash Frog! You know how you land on a planet and you want to do some scavenging? This guy jumps into a pile of garbage and sniffs out rare metals. Trash Frog.
Paradise Leif:
Oh yeah. That was here when I got here. It’s a Brenkert Enarc. It’s only 35 millimeter but it’s a beast. Cast iron, lights up the film using an arc of electricity instead of a bulb. I thought about making some modifications but-
Leif:
After I bugged out on Låfftrax I was hunted by basically everyone. The Teds were trying to find me, then any criminal in The Triad was after me, I had to go pretty deep.
Paradise Leif:
I don’t know how it was for you but I took it pretty hard... there were a lot of people on that moon.
Paradise Leif:
Anyway, afterwards I was taking it kind of hard and Minsky sent me to Nesso for a while. And after a few days of losing my mind in paradise, I turned the corner and here was this place. I was confused at first. What’s an American movie theater doing on Nesso? I was feeling a little nostalgic so I want inside. I watched this old Burt Lancaster movie called uh... Elmer Gantry. Then I stayed for the second showing. Jeremiah and I started talking and... long story short I ended up staying on... I’m guessing it wasn’t the same for you.
Leif:
I figured the best place to hide out was a system that even pirates were scared of. It worked for a while, but eventually I got burned and had to bug out. I was hiding on a Truskan ice hauler trying to find my next move. Disguised myself as a cook. We were stopped at Binbar station and that’s when I saw the diner.
Paradise Leif:
Well, I’ve got it organized by genre but, get this, it changes over time. Movies show up for a while then they’re gone.
Paradise Leif:
On my Earth, Chaplin tried for years to make this movie but it never happened. But here it is. The movies that show up here are from different realities where they actually got made. I’ve had Jodorowsky’s Dune, Arnovsky’s Batman, a sequel to Pink Flamingos. Look at this one...
Paradise Leif:
We did for a while. It’s as bad as you think. Anything like this happen at your place?
Paradise Leif:
I’m getting the sense that things are a little heavier over on your side of the street.
Paradise Leif:
I know. But hey, there’s two of you now. Name for me a problem that can’t be fixed by two of us.
Paradise Leif:
Look, it’s not lost on me. You’ve been stuck on Earth. The thought of that makes my skin crawl. If I were you I would’ve become a cyber-terrorist months ago. You’ve showed amazing restraint.
Paradise Leif:
Regardless. I’m here now AND we’ve got Marguerite and that other lady. We’re going to get you out of here.
Paradise Leif:
Okay. Jeremiah wants everyone to watch a movie together. That’s his whole thing, “There are no strangers after the credits role.” Whatever. Let’s fire up a movie for everyone, and you and I can get to work.
Effie:
(Down in the theater.) I’m sitting down here waiting for a movie to start, y’all want to get to it!
Zebulon:
(Down in the theater.) Unless a pirate film would hit a bit too close to home, I would understand.
Effie:
Caspar, I’m expecting you to be a gentleman and not eat that popcorn until I’ve got mine. Zebulon!
Caspar:
This is new to me. I have no idea what’s happening. I mean, Ava had theorized in the past that there were other diners and other versions of ourselves out there, but we always assumed it was other diners like ours. This? This is new. I guess there’s no reason it has to be a diner.
Caspar:
See, it’s at this point in the process the smart people are talking. When the smart people are done talking there’s usually a list of action items, that’s when we come in.
David:
It’s a little comforting to know that the inner workings of the universe are this ridiculous.
Effie:
Salutations, Polly, My husband would introduce himself but he is currently vexed by the popping of corn.
Caspar:
Long story short, they’re a couple of radio evangelists from the 1920s and they somehow live inside that radio.
Polly Jean:
We have no idea. It’s always playing and seems to change with your mood. We have no idea where it comes from.
Polly Jean:
I know, it’s weird. It’s Jeremiah’s whole thing, someone comes in the door, tells their story and we watch a movie.
Polly Jean:
David, if you couldn’t die wouldn’t you subsist entirely on popcorn, hot dogs, candy, and nachos?
Gloria:
It nice. This place used to be a live theater I guess, so there’s dressing rooms. Everyone has their own room.
Caspar:
No, Ava’s backstage somewhere with Marguerite and the council of Leifs is up in the projection booth.
Marguerite:
No, I’m eating Junior Mints because of how hard I’m going to make out with you during this movie.
Jeremiah:
Okay, everyone. Hello hello! Well this is really something isn’t it? How are we doing up in the booth?
Jeremiah:
Now, I’m sure you can imagine, we’ve hosted some pretty interesting characters in this theater over the years. A Viking wanderer named Arwen the Freer, a retired monster hunter named Lolly, a young man named Tallon Lawson who had just begun his career at a promising new company called “Enron”... we didn’t have the heart to tell him. But this... this is something new. There’s nothing all that special about any of us.
Jeremiah:
Alright, alright, there’s nothing all that special about me. But I had begun to think of myself as singular. No one out there knows what I know, has seen the things I’d seen.... But now look. Turns out we have neighbors. And like good neighbors we’re going to help them out in a time of need, but first... first we do a thing that is a bit of a tradition here at the Paradise. We watch a movie. We all get together under one roof and have an experience. I hear tell that the world is coming to an end outside, but it’s not the first time we’ve rolled up on a world on the brink of destruction and it won’t be the last. We’ll need to work as a team and teams need common experiences to bind them together. However, I do know that time is of the essence, so I have picked something nice and short. There was a request from our quite odd friends in the radio for a cowboy film. So I’ll take you all back to the b-movie westerns of the 1930s when movies had the gaul to clock in at about 55 minutes. Those were the days... truly a special day here at The Paradise. And so, without further ado... “The Man from Utah” starring John Wayne and Yakima Canutt.. ( YACK-ih-muh kuh-NUT)
Leif:
As you can see I’ve got all kinds of shit up here. Blanket emitters, a command center, I can do CMB scans, wave detection, etcetera, but none of it’s been any use because I can’t fix something when I don’t know what it is or how it works.
Paradise Leif:
Yeah. Also, there’s always some kind of Ted resistance group out there and they always get squished, I usually didn’t pay attention to them.
Leif:
They were trying to contact us. They’re old friends of Caspar’s. Right when they make contact, we get hit.
Paradise Leif:
Okay, maybe it’s related but, if someones has the technology to sideline a place like this, some rebels from The Triad aren’t going to be playing on their level. They’d be small potatoes.
Leif:
No. But there was this one run-in that Caspar and these Sisters had. They were constantly dodging The Teds but there was this one encounter toward the end. Guns didn’t work on them, grenades didn’t work. I think they may have had temporal weapons.
Leif:
Yeah. They shot a grenade out of the sky and it just vanished like it was never there. Not all that different from what happened to this diner, I’m wondering if they’re related... It might have something to do with The Egg.
Leif:
We’ll have to hope for the best on that one. How about I fire up the command center, show you what I’ve got so far.
Paradise Leif:
Oh, tons of times. There’s “Empress BertBert, “I’m quitting Journalism BertBert”, “I’m quitting journalism again BertBert”... “Recently Divorced BertBert” can get pretty weird. How about you?
Paradise Leif:
Oh. Wow. Well, get ready, you never really know what you’re getting when you see her... Always nice though, y’know? It can get so complicated out here but seeing her always makes it feel simple somehow. You know what? Maybe that’s what we need. A little simplicity.
Paradise Leif:
Look at you, man. You’re knee deep in like nine things right now. The sisters, the mystery assailant, this Earth is going off the rails, you’re grounded. What if we just pretend the problem is simple?
Paradise Leif:
If this diner was a Cadillac, it could only be so many things. Transmission, alternator, carburetor. Maybe it’s one of those.
Paradise Leif:
But what’s the equivalent of a transmission for a time-traveling, dimension-spanning diner?
Zebulon:
Well, this man here is John Weston, he’s a bit of a saddle tramp and while he was blowing through town he foiled a bank robbery.
Zebulon:
Also, there appears to be some strange occurrences of the rodeo entrants dying of rattlesnake bites. I suspect foul play.
Jeremiah:
That’s Yakima Canutt. He did all the stunts for this one. He’d go on to lay the groundwork for Hollywood stuntmen for years to come. He’d teach them how to leap on to horses, how to fall down stairs.
Marguerite:
Jeremiah has an attachment to it. See that guy in the back there? He’s holding the lasso?
Marguerite:
A while back a guy comes in. He’s a down on his luck ranch hand. He says that when he was a young man, he was asked to be a background player in a movie but he never had a chance to see it. We of course had it in stock and so we showed it to him. There he is, Bobby Ray Winland, Jr. He felt like he existed a little bit more after seeing it.
Polly Jean:
I didn’t realize it at the time but apparently I kept inviting her to parties and functions without knowing I was doing it. That’s how I, apparently, “Put the vibe out there.”
Polly Jean:
After successfully “putting the vibe out there” it was suddenly like I was being hunted by some sort of forest predator. To hear her tell it, I pursued her relentlessly, but I don’t think I’ve ever pursued something relentlessly in my life.
Polly Jean:
Yes. Apparently my assortment of cardigan sweaters really brings all the girls to the yard.
Zebulon:
When the lights went out at the saloon and the bandits all try to jump him, but then the lights come up and it turns out he had left the room already? They were just giving themselves a beating, weren’t they?
Jeremiah:
Alright everyone, I realize that one’s not going into the library of congress or anything but it could be much worse.
Jeremiah:
I like films like these though. They were made a long time ago, before anyone really knew how to make a film. None of them had gone to film school and I think it’s clear that John Wayne is not a graduate of the Royal Academy of Dramatic Arts. They were all making it up as they go along.
Jeremiah:
Not unlike all of us. I think both of our groups will admit there is not a manual for the things we do, but that doesn’t mean it’s not important. All we may have is our instincts, like the merry band that made this film. So with that... Gloria?
Gloria:
It’s really great to meet you all. I’m sure you can see we’re in a bit of jam outside, but between all of us I know that we can do something to at least fix it a little bit. So, if you wouldn’t mind, I’d like us all to head outside and try to make sense of the mess we’re in.
Caspar:
Uh, bringing you sandwiches, bringing you coffee, bringing you pencils, where do you think your notebooks come from?
Gloria:
It’s two problems. One: our diner has been out of commission for eight months now. Because of this, this entire universe has gone haywire because of what, Ava?
David:
Just going from Pasadena to Hollywood, I saw a marching band appear out of nowhere, a talking goat, a stampede of Zebras, a thirty second blizzard, a world war one dog fight, Gregorian monks, and a teleporting lawyer.
Gloria:
We thought we were going to be able to weather the storm but then if you look up you’ll see... Uh.
Marguerite:
You know, I usually have to sit here and be right all by myself, it’s so nice to share it with you.
Marguerite:
Imagine the universe is a car. Not a nice car, just a car that gets you from place to place. Like Ava’s old Audi stick shift. What was it called?
Marguerite:
One break light was missing, there were dents in the fender, and it always pulled to the left.
Ava:
I had this theory back at the Horizon Motel, but there was no time to confirm it. We don’t need to do anything.
Leif:
I’m a little disappointed. I had a theory in the back of my head for blowing up the extra moon.
Paradise Leif:
I was thinking: spatial distortion right behind the moon. Suck it out into the asteroid belt.
Marguerite:
One of the key aspects of this universe was suddenly missing, so things started breaking down. It looks like the Paradise came in like a transdimensional substitute teacher and plugged the hole.
Jeremiah:
Hang on, Leif. Believe it or not, saving the universe is not the only thing on our to do list. Our friends are still stuck here and they’ve been stuck for eight months. So what we need are some plans of action, does anyone in the brain trust have some things we can try?
Jeremiah:
Okay, well, you know how I am about these things. We’re here for a reason, so let’s not squander it.
Leif:
Not enough time. I’m assuming these guys will be taking off in twelve hours like us. We’d need to build a lot and make a lot of computations. Maybe if I still had the Urt processor, but not with what I’ve got on the roof.
Gloria:
This is good though. Keep talking, let’s get everyone inside, I’ll make everyone some food that’s not popcorn.
Leif:
Oh yeah, it was beautiful. I had an Urt quantum processor from 800 years in the relative future.
Marguerite:
Okay. See, there’s the “nothing” that means “nothing” and the “nothing” that means “something”, I feel like this is the latter.
Polly Jean:
Seriously, nothing, I’m fine. You should go hang out with Ava, you haven’t seen her in a very long time.
Polly Jean:
It’s really okay. There’s a lot for you to figure out, you like figuring things out, this is like Christmas morning for you.
Polly Jean:
I’m fine. I’ll keep an eye on things at the theater. I don’t think I have much to contribute in there.
David:
Oh, I’m not trying to include you in all that I was hoping we could sit at a booth and talk about people behind their back.
Ava:
I would first like to start this meeting by saying that I have allowed you all to sit at my booth with me. Congratulations. Who would like to start it off?
Paradise Leif:
I’ll go first. I’m late to this conversation but I’ll start with this: if places like this diner and places like The Paradise are essential functions in any universe, how could one of them stop working? That would be like gravity suddenly not working.
Marguerite:
I’ve observed massive galaxy-sized clouds of hydrogen in multiple universes now. Those clouds were supposed to turn into galaxies, but for whatever reason they just didn’t. Something short circuited somehow.
Leif:
I just see that as fuel, though. That’s potential energy sitting there, is that really a breakdown of universal function?
Marguerite:
A cloud of hydrogen is supposed to eventually become something else, why does it just sit there in the void while all the other clouds of hydrogen got busy turning into galaxies? Something broke. Things break.
Paradise Leif:
But if that cloud of hydrogen sits there it has no effect on the inner workings of the universe. It’s non-essential. Your diner failed and the whole system failed.
Leif:
As a response to our inability to function, there was a reaction. A reaction from another universe.
Ava:
We’ve all felt this. There’s a moment when we figure something out and we take a step back to think about how cool we are for figuring something out. But when we take that step back we see the lens widening. We see the picture is bigger than we thought.
Ava:
We’ve been looking at all the universes we travel to as having a firewall up between them. But if we begin to see them as interdependent, as interlaced with each other then that’s a bigger picture. It’s an ecosystem.
Ava:
Yes. System after system getting bigger and bigger. Planets depending on stars depending on galaxies depending on universes. Now universes depending on each other... Do we stop there?
Marguerite:
We’re now looking at these universes coexisting within a frame. What’s the frame? What’s beyond the frame? Does every infinite universe exist within something even larger?
Ava:
Because there’s nothing to fix. Look what happened. The Paradise came along and fixed the problem and now... If there’s no problem to fix then there’s no diner to fix.
Ava:
If the diner could’ve fixed itself, it would’ve by now. The Paradise showing up is proof of that... We’re done.
Caspar:
Hello there, welcome to Midnight Burger, here is some coffee. Gloria is deep in a taco making frenzy right now, should be out any minute, okay? Cream?
David:
I have a lot of friends who don’t talk to their parents much because every time they do, their mom or their dad has gone down some conspiracy theory facebook post rabbit hole and they’d rather just think of their parents as the people they were when they were kids, y’know?
Polly Jean:
... The woman I love more than anything in the world has spent all day hanging out with a woman she has been obsessed with for years.
Polly Jean:
Absolutely... She is brilliant, and funny, and mean in all the ways she likes and... The whole thing makes me feel a little bit small.
Polly Jean:
A little bit. Yes. Sort of. I’m glad we were able to show up and prevent your universe from self-destructing and all but, there’s a part of me that can’t wait for this day to be over.
David:
You know, I watch that old man, all day, bring Ava things. Sandwiches and coffee and sharpened pencils. There’s a neon sign above his head telling everyone what’s going on, but we can’t talk about it because it’s just too complicated.
Polly Jean:
I know Ava a little bit. She basically raised herself. Put herself through school, created her own curriculum for all her degrees. People who grow up like that, completely on their own terms, they end up having a hard time being told what to do. And they have a very hard time letting other people do things for them. Because it implies they can’t do it for themselves... She allows him to bring her things all day. What your dad doesn’t realize is that for Ava, that’s the equivalent of wearing a pretty dress and putting on perfume and twirling a parasol. It’s pretty simple, they just don’t know it.
David:
Well then, it sounds to me like it’s a situation that they just think is complicated but actually it’s quite simple. Where have I heard that before?
Zebulon:
I am simply proud of the way that Arkansas has done right by preserving our folk traditions and agriculture. From our pottery to our rug hooks to our watermelons.
Jeremiah:
I’m a bit partial to my state that created some of the greatest music ever written, myself, though nothing sets the nation on fire like a nice hooked rug.
Jeremiah:
I’m sure you have but I can walk into any joint in the world and hear some music made right there in Memphis.
Jeremiah:
Please forgive the Appalacian-Ozark aggression, Gloria, it’s been going on for generations.
Jeremiah:
Thank you. A lot of my life has involved “waiting to hear”. You learn to fill the time with whatever you can. Actors go to the gym, producers learn how to cook. Nice to be in a kitchen again.
Jeremiah:
We have to get a little creative. You’d be surprised the amount of things you can cook on a hot dog roller.
Jeremiah:
No. No, I don’t think I do. I think back to that moment I first walked in the door of the theater. Did I have any idea what I was in for? No, I did not. It was an abduction, in the strictest sense. But then again, when those two young filmmakers knocked on the door of the grocery store, I suppose that was an abduction as well. Once I saw them I really had no choice. And perhaps that’s all life is, just a series of abductions. Being stolen from one life to the next. I suppose I could’ve refused somehow, but you don’t produce movies without knowing your Joseph Campbell. The call to adventure. When the hero refuses the call to adventure they make themself in need of a hero. I was having none of that. Just ask your evangelists over there. All those prophets and holy men. Very few of them chose it. It happened to them.
Effie:
That’s true enough. Time and again a great divinity will reach down from the clouds and call you up to a new life. First reaction is always “Who me?” “Are they talking about me? Must be another.” But it’s not for us to decide.
Zebulon:
At times, Effie and myself have felt like a cork in the ocean, haven’t we dear? But then, the things we’ve seen. The places we’ve been brought to. It’s a mysterious alchemy, that. But one that needs no arguing with, I find.
Marguerite:
At the very beginning of this universe and any universe we’ve been to, something happened. Before even one second had elapsed in this universe, the value of something called the Higgs Field, changed. We don’t know why it happened or how. All we know is that when the value of the Higgs Field changed, it made everything in this universe possible. The universe went from a lifeless thing to a boundless explosion of energy. One day, this universe will return to this lifeless thing. Luckily, because we showed up when we did, that day is now far off in the future.
Ava:
Things work and then they don’t. And the universe moves on. And I’m afraid that’s what’s happened to the diner. Whatever complicated system we’re a part of, it fixed itself. And it did so without the diner. And now it’s moved on, leaving us with... with just a diner. I’m sorry. I know we all had-
Gloria:
Ava. You can stop. I know you’re just doing this little presentation for me. I appreciate it. But do you know how many times I’ve had to come to terms with all this being over in the last few months?... This place changed all of us, and I’m grateful for it. But you can all stop having little meetings behind my back about how you’re going to break the news to me.
Gloria:
It’s time to get on with what happens next. As for me... I’m staying here. This place is mine now. It feels like mine. And I can’t really imagine being somewhere else. It doesn’t travel through the cosmos anymore... but it’s mine. So, what happens next is really a question for all of you.
Jeremiah:
There’s plenty of room at The Paradise if you’d like to hop aboard. Your expertise would be greatly appreciated.
Gloria:
You can also stay here if you want. Hop on a spaceship with Leif. Hell, go to St. Kitts or something, I don’t know. Do whatever it is normal people do. But it looks like this is our last stop. So the choice is yours... and I’m going to go back to the kitchen because our guests have not had a real meal in a long time. Everybody inside.
Caspar:
I’m going to be calling you for tech support. You’re going to have to bring your boyfriends to meet me. There’s going to be slideshows of my trip to the Grand Canyon.
Caspar:
Oh, don’t fucking bother. Kazi?! Kazi can you hear me?! I can’t fucking help you, alright? You’re on your own! I can’t do anything. Enough already!
Marguerite:
I know this hasn’t been what we expected, but, thinking back now, I don’t know what I would do with myself if we weren’t shooting through the cosmos everyday.
Marguerite:
Baby, I hadn’t seen her in ages, I didn’t know if I was ever going to see her again, did you want me to ignore the fact that she showed up?
Polly Jean:
You’re different around her... She brings out a side of you that I just can’t bring out. I’d like to but I can’t and I’ve been watching it all day and now I’m going to have to do that every day.
Polly Jean:
I’m sorry that I spent so much of my life being a boring, okay? I was a boring housewife and I have no idea why I did it. I didn’t mean to.
Polly Jean:
I just... I love that brain of yours so much and I just can’t... It’s like I can’t get your brain to be interested in me.
Marguerite:
Oh Jesus Christ, you know what? It’s like I’m not even here in the argument. I’m right here, P.J., and I’m telling you that I was not going to ask her to come with us.
Marguerite:
Oh goddamn it. I love you so much and also I just want to break a plate over your head. Get up.
Marguerite:
Get up. You think I was going to ask Ava to come with us, that’s not what I was going to ask. Come here.
Marguerite:
There, okay? I was going to ask you to marry me. There are two Baptist ministers in this radio and I know you have a nostalgia thing because your grandfather was a devout baptist, and I, like a scientist, did the math... You’re right, I do only bring you food when I’m going to ask you to do something but this was the thing. Marriage. Alright?
Marguerite:
I am being so fucking real right now, Polly Jean. Nuptials. Boom. It’s happening. Get ready.
Effie:
Hold up there, y’all. See, how this is supposed to unfold is: there is a proposal, then acceptance of said proposal and then we move on to the saying of vows. Y’all are skipping a step or two.
Marguerite:
Fine. Right. Okay... Polly. Please. For the love of God. Marry me before I lose my mind.
Effie:
Now, I’m going to need a little more poetry, y’all, let’s really do some work right here. I’m not expecting anyone to be Beaudiliare or nothing but let’s put some sauce on it.
Marguerite:
Fine... You are every universe. You are time and space. I revolve around you, every day. I live inside you. I am, with my very last particle, begging you to marry me. Please, Polly.
Effie:
It’s under the teapot. We need a witness, Jeremiah, get your Volunteer butt over here and volunteer yourself.
Zebulon:
A thousand apologies, dear! Here we are, a bit of music, no not that one, where is it, where is it... Aha!
Zebulon:
Dearly beloved, we are gathered here today in the presence of God and these witnesses to join these two in holy matrimony.Marriage is a sacred covenant, instituted by God, and not to be entered into lightly. It is a union of two hearts, two minds, and two spirits, bonded together by love and commitment.The Bible tells us in Ephesians "Husbands-” oh, now, one moment-
Zebulon:
Love each other, just as Christ loved the church and gave himself up for her."As you prepare to make your vows to one another, remember that your marriage should be built on a foundation of faith, trust, and mutual respect.As you journey through life together, there will be times of joy and times of sorrow, times of plenty and times of want.And now, I ask you to join your right hands and declare your intentions to enter into the covenant of marriage.
Effie:
Do you, Polly Jean, take Marguerite to be your partner in life. To be the boiler of her grits and the juicer of her lemons.
Zebulon:
And do you, Marguerite, swear to be the protector and keeper of her honor, her sword in the darkness, her unbending mast in the storm.
Zebulon:
Then let it ring forth until the end of time. By the power vested in me by God and the great state of Arkansas. I pronounce thee wed.
Caspar:
Yeah, that’s how it works, apparently. I don’t directly remember things that happened but things can remind me. And then when I do remember, it all comes at me in a rush, it’s really disorienting.
David:
So, there could be all kinds of stories like this locked up in your head and you would never know it.
Caspar:
I think I met them early on, when I hadn’t been here that long. I thought Effie and Zebulon were in my head. I thought I was insane. I was scared a lot... For the first time I genuinely helped someone. For the first time I felt like there was some purpose to this place, or at least there could be... I think if I hadn’t met them, I might not have made it.
Caspar:
Apparently. But whatever thing they’re using to broadcast into my brain, it only goes one way. So I can’t tell them they’re barking up the wrong tree. I’m just an Earthling now. Just a guy who used to work at the DMV. Whatever mess they’re in, they’re going to have to get themselves out of it.
Paradise Leif:
I figured out a way to clone the signal of the Paradise. They work like signal repeaters.
Paradise Leif:
Honestly, I have no idea. I figured out how to make them and now I’m looking for a good use case, maybe you can figure something out.
Paradise Leif:
Marguerite and Ava are saying that your diner got knocked out of commission and now that the multi-verse has bridged the gap, it doesn’t need your diner anymore.
Paradise Leif:
Tell me honestly... A diner... a movie theater... do we really think this is how all of existence works?
Paradise Leif:
You’re a farmer. You grow your crops on the banks of the Tigris. You look at that river and you think “Look at this beautiful river. Isn’t it great that this river makes my farm so bountiful.” But let’s say that you, a Mesopotamian farmer, have a little engineer inside you that says “Yes, this river is beautiful, but what if I had canals between my crop rows that the river would feed? The river flows through the canals and then back into the river... What if I could take the natural world and just... give it a little polish, a mod or two. Where’s the harm in that?”
Paradise Leif:
And now imagine you’re the same type of guy. But this time it’s, say, twelve billion years ago. You look up and you see the ebb and flow of existence and you think to yourself: “That’s beautiful. But, y’know, what if I helped it out a little bit.”
Paradise Leif:
Not technology the way you and I think of it. I’m talking about dimensional compression, man. I’m talking about a battleship inside of an atom. I’m talking about a thing that sleeps in particles and then, at the right place, at the right time, the right words are said... It unfolds before you.
Leif:
You think that diner, and that movie theater... that someone made them. That someone built canals in the fabric of space time?
Paradise Leif:
Every organism changes the environment it lives in. What makes a multiverse so different?... It’s just a fucking Cadillac, Leif... Think about it, okay?
Jeremiah:
Y’all, it has been an eye-opening day. A beautiful one. I believe in you all, and I know that you’ll be able to make it through this time and onward to more adventures. We’ll be thinking of you as we criss-cross the sky. And remember, when you really need us, we’re always just right around the corner.
Caspar:
Well. Here we all are. I am just now realizing that David has had the longest day in the history of mankind.
Zebulon:
We saw terrifying weaponry used against them to no avail. Keep yourselves hidden and perhaps Effie and I may find a way to distract them or redirect their attentions elsewhere.
Caspar:
... They’re probably looking for me. I tossed a few of them in the deep freeze a long time ago, and I guess me staying put has allowed them to catch up with me. You’ve got to go.
Caspar:
David. All that time I was out there looking for you, all those years almost losing my mind, I just needed to know you were okay. Please don’t deny me that now.
Caspar:
Look, either Leif or Ava will think of something or the Mucklewains will do something crazy, we always get out of it somehow. Go home. Stay there. I’ll call you as soon as the danger’s passed, okay?
Back in the diner. Out in the parking lot three of the mysterious figures drop out of the sky and wait. Caspar re-enters.
Ava:
If you’re here for the wedding, I’m afraid you missed it. RSVPing is very important in polite society.
Leif:
Well, he said they’re like signal repeaters, they clone the diner’s signal. Why are they... Oh shit.
Gloria:
Look at you! Look at all of you! Okay... okay... so much licking! Look at you guys I missed you so much!
Gloria:
Shit. Okay, okay, listen up, listen up everyone. We’re going to have all kinds of time together and it’s going to be great, but for now I have to go... because mommy’s got to go fuck up some bad guys again, okay?
Gloria:
Wait a minute... wait a minute... Puppies?! What the hell? Goddamn, which one of you is a girl?!
Outside the diner. We are still traveling through spacetime. Leif, Gloria, and Caspar all make their way to the roof.
Leif:
The crew is down to half, we’ve got an apparent army of oogies on our trail and there are still three sisters out there that apparently need our help. Not good odds.