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we hear the sound of the forest. We are back at the horizon motel. Clementine appears in the parking lot.
Peter:
No matter what we talk about, no matter what problem we’re having, you always bring it back around to “getting out of this town and starting over.”
Stephanie:
No, Peter, honestly I don’t. Do you know why? Because we should get out of town and start over again.
Stephanie:
You’re seriously going to stand there and accuse me of not knowing the importance of family after giving birth to not one, but TWO of your children?
Stephanie:
I don’t need to put words in your mouth. “You don’t understand the importance of family,” that’s what you said.
Peter:
Stephanie, it’s not just our kids. It’s everyone. My sister, her kids, this town, we rely on these people and they rely on us.
Stephanie:
At least once a day someone from this town comes to you with a problem for you to clean up. Who said that was your job? There’s a reason this town doesn’t have a mayor, Peter. It doesn’t need one.
Peter:
No, no, we’re going to sell the motel and then pack up the covered wagon, right? I’m sure you have this all figured out because you can’t stop bringing it up, so what’s the plan?
Peter:
No you can’t. Do you know why? Because this escape plan of yours, starting over in a new town, it completely falls apart when we’re confronted with a little thing called reality.... What would we do there? Could the kids walk to school like they do now? Are there even schools nearby? Can we afford to live there? Etcetera, etcetera, etcetera.
Peter:
There are answers to all of those questions. I guarantee you this escape plan of yours will collapse in on itself as soon as you get an answer you don’t like... You’re in favor of leaving so long as there are no complications and everything goes our way. When, in the history of the world, has that ever happened?
Clementine:
... Okay... There was kind of a crazy scene out there. I think a couple checked in to try and work out their marital problems, do you know them?
Frank:
My parents were very protective. They were very concerned about fighting in front of us. They thought it would be traumatic. So they had this habit... When they needed to have a fight they would get a sitter and then stay here. They would fight all night long and then come back the next day like nothing had happened... I got wise to it when I was twelve... I always wondered what they were fighting about...
Outside we hear the same car approach again. We hear Peter and Stephanie get out of the car and repeat the same argument they just had.
Frank:
There was... when we first met you, when you were lying in the parking lot and we took you to the hospital, June and I waited for a while. There was this weird thing that happened. One of the nurses kept calling for Nr. Nate. She did it over and over again. June now thinks that it was-
Frank:
And there was a car that kept driving by the motel, over and over again, she thinks that was another one. And now...
Frank:
We’ve gone through several stages with this today. Shock, horror, disbelief... Here at the end of the day I think we’ve drifted now into resignation? I think we’re just waiting for it to stop so we can start pretending it never happened.
Clementine:
A bar of gold, Frank? I just had that on me? I brought beer from Tokyo and didn’t know it was in Japan. I disappeared from the hospital. How did I disappear from the hospital?
Clementine:
I can do anything I want... Anything I want except for the thing I want to do... It’s terrible.
Clementine:
Yes. Enjoy... Okay, I’m going to go outside and I’m going to put things right again. And then I’m going to go before I break something else... Or break everything...
Clementine:
I really am sorry, you two. (To herself.) Time is the substance I am made of. Time is a river that sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me... but I am the fire.
Two more of the exact same car pull into the parking lot. Peter and stephanie get out of those cars as well and begin to have the exact same argument they’ve been having. We are now hearing the exact same argument from them overlapped three times.
Clementine:
Okay wait, wait just wait... Let me try again... Time is the substance I am made of. Time is a river that sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me... but I am the fire.
Three more identical cars pull into the parking lot, Peter and Stephanie emerge from those cars as well. We are now hearing the same conversation six times.
Clementine:
I don’t know what I’m doing! I don’t understand any of this, it’s gotten out of my control... I need to get help.
Clementine:
I... I’m going to go. I’m going to go get help. Frank, listen... I’m so sorry... I thought I could control it... I thought I was in control... I’ll be back, I promise.
Caspar:
Hey there, folks, you must be Frank and June. Strange times, am I right? Give us just one second we’ll be right with you.
Clementine:
There was one car, it kept showing up. That’s Frank’s mother and father in the car. His father passed away, this is a scene from their past.
Clementine:
“Time is the substance I am made of. Time is a river that sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me... but I am the fire.”
Clementine:
I don’t know who that is. It’s something my mother taught me to recite when I was panicking. It seemed to work when I needed to focus on something.
Caspar:
Okay. It’s a lot. Sure. Don’t panic. First of all, let me say that I really love your motel. Very mid-century modern, very Lost Highway.
Caspar:
Okay, let’s just first-paragraph-of-wikipedia this, shall we? We’re Midnight Burger, a time-traveling dimension-spanning diner. We’ve been trying to hunt down a mysterious red-headed woman who has been fucking up the cosmos. Sound familiar?
Caspar:
Yes. Turns out, when she was taking a break from destroying all of existence she liked to hang out here. I mean, why wouldn’t she? It’s lovely. Where are we, Washington?
Caspar:
Great. So, the problem is, Clementine eventually destabilizes everything around her, including this place.
Caspar:
Well, we don’t know yet, BUT we’ve got two very smart people, a 700 year old man, two baptist ministers and a very competent restaurant manager so the answer’s got to be in there somewhere, right?
Caspar:
You know, I used to work at the DMV and now I’m trying to figure it all out, it’s a process.
Gloria:
It’s a lot. Sure. But I think you’ll find that your capacity for weird shit is way higher than you think it is.
Gloria:
Well, we’ve got about a half dozen temporal anomalies don’t we? Who are the two people in these cars?
Gloria:
Okay, so they definitely shouldn’t be here and there definitely shouldn’t be six pairs of them, right?
Ava:
Okay. Let’s not make this too complicated. If we get all the Moms and Dads inside the diner, that should solve the problem, as long as we can keep them in there long enough.
Ava:
We’ve got to make them see us. Also, the hard part is, we can’t just drag them in here, we’ve got to convince them to go into the diner.
Gloria:
Okay. We’ve got six rooms. Everybody take a room and try to convince them to have a cup of coffee at the diner that just appeared in the parking lot.
Leif:
Gloria, are you seriously asking this particular group of people to help them work out their marital problems?
Gloria:
Leif, we’re never the right people for any situation we’re in, we’re just the only ones around.
Gloria:
Caspar, I’m about to get in there as well and the word marriage makes me literally start packing a suitcase for no reason.
Gloria:
Frank, June, you can probably be a lot of help here because you actually knew them. I know you think you’re going crazy but we really need you to pick a room and try and make something happen.
Gloria:
Jesus. Right, um... Well, here’s something that I’ve learned in this completely nuts situation that I’m in... It’s all happening. It’s all happening right now. The past, the future, they’re all just pages in a book. But the whole book is right in front of you. There’s an opportunity here. Because you’ve read the book. Which means you can go back to the beginning and see the story in a completely different way. You get to talk to the past from the future. Maybe since you know the end, you have something to say about the beginning.
Gloria:
I’ve never seen anything last forever. But how about we don’t think about failure right now?
Terric:
I hear you, Peter, let’s try and start again. Stephanie, you mentioned wanting to move to a new town, and Peter, you have strong ties to this community. Can you both share your perspectives?
Stephanie:
I've been feeling the need for a fresh start. This is a small town. A VERY small town, I can walk across the entire town in an afternoon.
Stephanie:
We’re trying to raise kids. Kids need to be exposed to things. There’s only so many things they can be exposed to in a town that only exists because of an onslaught of skiers every winter.
Peter:
Exposing them to things cuts both ways. There’s a lot going on in bigger cities, maybe things we don’t want to expose them to.
Stephanie:
This is what he does, every time we talk about this he imagines we’re moving to some urban hellscape that he saw in a movie one time.
Terric:
Peter, you seem to have deep roots in this community, can you tell me what these roots mean to you?
Peter:
I grew up here, my parents still live here, and I've built strong relationships here. It feels like home, and leaving it behind feels like abandoning a part of myself.
Terric:
This is good, though. I feel like we’re moving in the right direction. Now we need to try and look for some common ground, okay?
Stephanie:
(Coming from the neighboring room.)Oh Jesus Christ you’re as rigid as a fucking cadaver!!
Stephanie:
Everything, EVERYTHING Has to be a certain way. From the laundry to the lives of our kids.
Peter:
Well I’m sorry that I don’t want to spend our lives like its unstructured “me time” at some sort of Dutch primary school!
Ava:
The mind does some pretty crazy things to keep operating. I imagine they’re tuning out a lot right now.
Caspar:
A nice cup of coffee. Nothing makes a wrong situation right like a cup of coffee, you know what I mean?
Stephanie:
You’re wasting your time, this man has no vices. He’s like a Mormon without the magic underwear.
Caspar:
What I’m saying is... look, you obviously care about each other very much and it’s confusing because she-
Caspar:
-Has an odd way of showing affection. I mean, you both do, you’re both attacking each other-
Peter:
It’s difficult when this happens. I feel like I’m trying to talk about the issue and she’s just trying to win some sort of contest.
Caspar:
Well I don’t know if that’s entirely fair, Pete, but I hear what you’re saying. I mean, it’s tough. You obviously care about her very much but also she appears to covered in tiny poisonous barbs.
Caspar:
And you get it. Right? Some people cover themselves with a spiky personality to keep the shitheads away but the spikes do not retract, that’s not how tiny poisonous barbs work. They’re always there, which puts you in the position to just keep getting stung, and develop an immunity to the poison spikes.
Caspar:
Because you know you can’t help yourself. You can’t help but reach out to her, you feel compelled to, call that whatever you like. You come to get used to the fact that getting close to her involves a certain amount of injury to yourself.
Ava:
And Stephanie, you’re over there saying “Really? Him? This is the guy?” Because you had already imagined the guy who would keep coming back, and you imagined he would be, I don’t know, better? You’ve created this person in your mind and they’re this great combination of the genius of Marie Curie and the unbridled hotness of Michael Faraday.
Ava:
But he does keeps coming back... And you admire that a little and then you also hate him because you admire it. And then there’s this other terrible moment where you realize that it’s nice to be wanted. And you also hate THAT. Which makes you even more mad. And it’s made even worse by the fact that he SUCKS. And he has fucked up so many times, especially that one time, you know the time I’m talking about.
Caspar:
And you’ve apologized, Pete. You really have, you’ve tried to make up for that one time when you fucked up really bad but, y’know, that doesn’t matter because apologizing doesn’t mean that your apology has been accepted. It doesn’t mean that she’s under any obligation to accept your apology, all you can really do is apologize and hope for the best, and try to do better right? That’s how you feel.
Ava:
And in your studies you’ve come to terms with chaos. You can’t control what the universe brings you. You’re an island. All you have at your disposal are the trees and tiny creatures that live on your island, and whatever the ocean washes up on your shore. What washes up on the shore is mostly garbage, but sometimes it’s useful and sometimes it’s something you didn’t know you needed.
Leif:
Sorry to disturb you. I’m uh... I’m with the motel staff and we’ve been getting some complaints about the noise.
Leif:
Look, I was next door and I was hearing a lot of yelling and I thought I would say something before somebody complained.
Peter:
Well, howdy, neighbor. How about I head over to your room and tell you how you should be living your life?
Peter:
It does suck, maybe consider that next time you decide to knock on a stranger’s door and elbow your way into their life.
We hear the sound of a violent electric shock and the music for a night time radio talk show fades in.
Zebulon:
I make a nice pitcher of sun tea all morning and then it keeps us all nice and cool for the rest of the day.
Effie:
Because of what it does to my pores. So what I like to do is, early in the morning, after I do my Ashtanga vinyasa, I open up all the doors and windows in the house and I let that morning air in, I release all that stale air that I’ve been breathing all night. It’s wonderful, I breathe in that air and I can smell the mesquite groves all around the house, it’s really a gift.
Zebulon:
Alright, I had Pete and Stephanie on the line with marital troubles but we got disconnected, let me see if I can get them back.
Effie:
Pete, I hear that you and your wife are going through a bit of a time right now, is that safe to say?
Effie:
You know, Pete, there’s nothing more complicated than a marriage. Nothing in the world. You can talk to me about the human nervous system or weather patterns or particle physics, but no, it’s two people trying to make a life long commitment to each other, that is the final frontier if you ask me.
Effie:
Pete, I’m going to perform a little test. I’m going to ask you what the root problem is with your marriage and you’re going to try and answer, are you ready?
Peter:
We have a good life here. It may be a small life, it may be in a small town on the side of a large mountain but it’s a good life. Good lives are hard to come by and I think we should be grateful for the one we have rather than leaving it because we think another one might be better.
Stephanie:
I think a good life is subjective. I think what’s good for one person is not necessarily good for another. He’s talking about it like it’s this objective truth that I just don’t understand.
Effie:
Kids, I think the most important thing to remember right now is that all of this fighting is good. Conflict is just a relationship trying to grow, and the longer you talk, the greater the chance of the other person making sense. Everybody makes sense if you listen long enough.
Effie:
That’s right Frank, take this conversation to a public place. Maybe go have a cup of coffee. It’ll be harder to scream at each other if you’re worried about your server calling the police.
Effie:
Good. I’m excited you two. I’m excited what this next phase will bring and I know Frank’s excited too.
Leif:
It’s an old trick. Ninety nine times out of a hundred if you toss something to somebody, they’ll try and catch it. It’s a steel ball that shocks you when you catch it, AKA, The Secret Handshake.
Leif:
Well, sorry. I tried to get in there and... they both reminded me too much of my dad. The Secret Handshake was my only hope.
Effie:
I’m calling it a personal best, myself. Far and above Mr. Drop Them Off in the Parking Lot over here.
Ava:
Well, look at that, first day at the diner and he’s already pulling his weight, how does that feel Leif?
Gloria:
Yeah... Just to give you an update, it’s going well. We’ve got everyone in the diner except for yours.
June:
And that was just a yellow triangle hovering above the town for a few minutes. I don’t even know what it was.
Gloria:
Look, I’ve been exactly where you are right now. I was down on my luck in Phoenix and then I stepped through those doors over there. That was that. Here I am now. I’ve stood in that parking lot and stared down a black hole. I met Space Pirates. I went back to the end of the Ice Age. I think what kept my brain from breaking is... what’s the real thing? What’s the real thing that’s happening? There’s a lot going on right now. A diner’s appeared in your parking lot, but what’s the real thing? Maybe the real thing is, you going in there and saying some things to your dad that you didn’t get to say.
Gloria:
And that’s fine too, Frank. Because it’s not actually about him. This is for you. Give it a shot.
Peter:
We’ve been through the options a million times. Charleston, Boston, Madison, Santa Fe, Austin two times.
Frank:
I came in here to say that this is ridiculous and both of you need to just knock it off, okay?
Frank:
It’s not working. I... I stay here at this motel a lot and you two always show up, go into a room, and scream at each other for hours. Just stop it.
Frank:
You’re stuck with each other. Okay? You come here and you argue all night long about the same thing: Moving out of town or not. But it’s not about that is it? It never was. It’s about getting a divorce.
June:
Did the two of you know that there’s a running bet down at the Sheep’s Eye? The Pete and Stephanie divorce pool. Like, that’s the official name. There’s an envelope in the cash register that says Sturgis’ Divorce on it. Minimum bet is twenty dollars. They’ve been collecting for years. Who keeps joking about it?
June:
Celeste. Celeste Joos keeps saying she’s going to retire as soon as her Sturgis divorce money comes in. She’s in deep actually, we’re a little worried about it.
Frank:
Yes. It’s true. And it’s ridiculous. Do you want to know why? Because you’re never going to break up.
Frank:
Guys. When you break into several arguments several times a month at various public places all around town, everyone is going to know everything about you. Your marriage is a spectator sport.
June:
But not like a baseball game where you don’t know who’s going to win. It’s more like pro wrestling. It’s loud and it’s entertaining, but it’s very obviously fake.
Frank:
There are billions of people in the world, Pete. So many fish in the sea. But I swear to god, no matter how many people are out there, the only one out there for you two weirdos is each other. There is literally no one else on God’s green earth that will put up with your weird bullshit.
Stephanie:
... Because they were incorporating the weight of their packing material into the price of their meat and seafood, which is illegal.
Stephanie:
I’ll have you know that the State Attorney General eventually investigated them and they got fined a million dollars.
Stephanie:
Ok, ha ha, everybody laugh at the fish thief, fine. What’s the point you’re trying to make?
Frank:
The point is, you two didn’t fight about that. He had to bail you out of jail for the most ridiculous crime in the history of the state of Oregon and you didn’t fight about it.
Frank:
See? You think that’s a typical response? It’s not. You are the only person who would steal fish from a grocery store as some sort of ridiculous social protest and HE’s the only guy who wouldn’t get mad about it.
Frank:
I see, that’s very noble. Can you think of any reason why Boodles had been at the shelter too long?
Frank:
Now, Boodles was a very old dog. But he did hang in there for three years, didn’t he? All the while stinking up the whole house.
June:
It was the kind of smell that felt like punishment from God or a fairy’s curse or something. It was not a natural smell.
Frank:
The point I’m trying to make here is... Can you knock it off please? Can you stop it with the arguing all the time? All you’re doing is playing around with the idea that you’re going to break up, but you’re never going to. Because you both drive each other crazy, but on the important stuff, on the salmon stealing and the stinky old dog stuff, that’s the stuff you couldn’t find somewhere else... So, stop it.
June:
What we should probably also say is, people really love you guys. They love to gossip about you but, I don’t think they would know what to do without you.
Frank:
Guys. Go home. You don’t have to do this anymore. Go home. Your kids already know you’re here fighting. Go fight in front of them. They already know you’re not breaking up. They might appreciate the honesty.
Terric:
... They found me after I left Jerusalem... about seven hundred years after I left Jerusalem.
Terric:
Their theory is... That morning when we were in bed. I told you about the elixir of life... and that’s what did it... Time stopped for me, Clementine.
Terric:
They picked me up because they thought you were about to wave the white flag and would like to see a friendly face.
Clementine:
Terric, do you understand how seeing your face right now has only made it a thousand times worse?
There is a crackle of energy and dozens of cars begin pouring into the parking lot. The cars park and Stephanie and Pete get out of each one of them, playing out the exact same argument again.
Caspar:
The entire highway is jammed with the same car! It stretches all the way around the mountain!
Ava:
Indefinitely. Pete and Stephanie and their shitty car is going to keep replicating itself over and over again. The cars will eventually fill up the entire freeway. Then the entire state, then the country, then the world. Gloria, given a long enough timeline, this entire universe we’re in will be filled with copy after copy of Pete and Stephanie’s Hyundai Sonata.
Effie:
Perhaps the problem is not for us to fix, Ava. But for somebody to start cleaning up their own messes.
Ava:
The way I see it. Clementine is like heavy artillery. She just needs someone who knows how to aim her. Caspar, if I don’t come back, just remember: I hate you.
Clementine:
(Repeating over and over to herself.) Time is the substance I am made of. Time is a river that sweeps me along, but I am the river; it is a tiger which destroys me, but I am the tiger; it is a fire which consumes me... but I am the fire.
Ava:
Terric, I’m getting the sense that seeing you again was not the instant solution we were hoping it would be.
Ava:
Okay. Clementine, I have to say, I’ve enjoyed our time together a little bit. I like breaking things. And you’re really good at breaking things. But you’re starting to really fuck with these universes, Lady. And that’s a problem, because these aren’t your universes, Clementine... They’re mine. These are my universes and you’re fucking them up and I don’t like it when people mess with my shit.
Ava:
Okay. Try and stay calm. This is going to get weird. Close your eyes and don’t open them until I tell you to, okay?
Ava:
Imagine there is a pice of paper in front of you. Let’s make it a really nice piece of paper. I’m talking Japanese calligraphy level quality. The kind of paper that’s so beautiful you almost don’t want to write on it. One person spent hours mulching wood and drying it on a screen so that you could be presented with this beautiful blank sheet. Do you see it?
Ava:
Now everything else is going to fade away. Every sound you hear is going to fade into the background until it’s completely gone.
Ava:
It’s wet with ink. Reach out with the brush and make one single dot on the paper. Do you see the dot on the paper?
Ava:
That dot is a universe. At its very beginning. Unformed. Everything that could be is in that one dot. Do you see it?
Ava:
Reach out to the piece of paper. With your thumb, I want you to smudge the ink. Smear it across the page.
Ava:
I want you to imagine the paper disappearing, but when it disappears the ink spot stays. That trail of ink you made on the paper, your universe, is now floating in front of you. Do you see it?
Ava:
Now, with each hand, just your first finger and thumb, I want you to pull the ink spot apart like it’s silly putty. Keep pulling and expanding it until it’s the size of an egg.
Ava:
I know. But we’re not done. A new universe floats in front of you like a cluster of Cottonwood seeds. Reach out with both hands and cradle it in your palms. Everything that exists is in your hands. Now, very gently move the universe from the left side of your vision, to your right, and then slowly bring it back again... Did you do it?
Ava:
You created it, of course you do. But now you’ve given it four dimensions, which means it can grow by itself. Is it getting bigger?
Ava:
It’s the size of a baseball, then a globe, then a beachball, then a house, a mountain, a planet, a solar system, a galaxy... and then it’s the size of everything. We’re now inside it, floating through it all. We can go anywhere you want. In the long arms of a particular galaxy you can see a familiar blue dot. You float towards it, through the clouds and down towards a small town on a mountainside. You float down onto the roof of a Motel.
The sounds of the forest fade back in. We no longer hear the sound of Pete and Stephanie and the cars.
Ava:
I’m really smart, Clementine. The more power you have the more knowledge you have to have. The more you can do, the more you need to know what you should do. If you don’t you get a universe full of Hyundai Sonatas.
Ava:
Not yet. The next part is the most important part. You and Terric are going to go down to the diner, sit at a booth and you’re going to drink coffee and eat pancakes until we’ve sucked all the terrible bullshit out of you. It could take a while, you’re full of a lot of bullshit.
Leif:
... Anyway, you’ll see these triangular yellow drones from Toferius sometimes. They hover for a minute of so, grab some data and then they’re gone, it’s no big deal.
Clementine:
I was. I could travel anywhere I wanted except back home. So, I kept changing things in my past, hoping it would lead me back there. In the process I... caused all this. Now I’ll never get back there.
Frank:
You know, Clementine, you may not ever get home but that doesn’t mean you’ll never “be home” y’know? You heard my mom, she hated it here, but she made us her home. Sometimes home isn’t a place.
Ava:
I wanted to mention something before we go. Uh... We may have fixed things here but there’s actually no such thing as a fixed thing.
Ava:
Oh and, Frank? Clementine told me that at one point she... disintegrated your body... and then she reconstructed your body from ambient molecules in the atmosphere?
Clementine:
Okay. When I look at you I literally feel every human emotion and it’s overwhelming so I just need to say something.
Clementine:
... Actually I think I already said the thing I needed to say, it was the every human emotion thing. I put the cart before the horse. I guess I’m trying to say-
Terric:
Clementine. I’m going to stand here in this parking lot until this place starts traveling through the space time continuum because it’s really an amazing thing to see. Then you and I are going to go inside and have pancakes. Okay?
Caspar:
This parking lot was full of cars and then you talked to Clementine and all the cars disappeared, what kind of Kriss Angel nonsense is that?
Ava:
I’ve told you for years that I am a sorcerer and you don’t listen to me. But I shouldn’t be surprised because you never listen to me.
Caspar:
I listen to you all the time. It’s not my fault that I only understand thirty percent of the things you say.
Caspar:
It’s tricky with you physics people because you have these cool names for things that turn out to be super boring like Monstrous Moonshine.
Caspar:
Does it involve either monsters or moonshine? No, it does not, it’s a total misnomer and I think the physics community should watch itself.
Caspar:
Okay. Well, he’s the one who sent us on this wild ride looking for Clementine, maybe he wants to congratulate us now. Maybe this is the loot chest at the end of the adventure.
Leif:
The point wasn’t to stop her. He just wanted us to wear her down and then flush her out so he could-
Clementine:
(The pain easing off a bit.) I don’t... I don’t know... it’s like I’m having my insides ripped out.
Gloria walks inside the diner and makes a b-line for the kitchen. She picks up a spatula and repeatedly bangs it on the grill.
Gloria:
Hey! I’m talking to you!... There’s a girl out there that’s about to be killed while you’re just sitting here. Are you listening to me?!... I know you’re listening to me. I know you listen to us all the time. I know we talk about how this place is random and just pops up in random places, but it doesn’t. You don’t do that do you?... In fact, I’m guessing nothing you do is random... I know you’re listening. I know you’re paying attention. There are guajillo peppers in that walk-in that you put there and I’ll bet my life you didn’t start doing that until I showed up. You’re listening. I’m guessing you have some sort of plan that we’ll never know, some great mystery, right? Well, I’m sick of it. I’m getting batted around by two forces out of my control: Chuck the 4th dimensional asshole... and you... Whatever you are... And frankly, getting batted around by forces out of my control? I had enough of that back home and I’m not doing it again. So here’s the deal. Whatever it is you’re up to? You need me. I know you do. You need all of us. And none of us are going to stand for you letting a girl die in the parking lot... You need us, so you need to start acting like it... Move... Now... Take this girl home.
Gloria:
Looks like we’ve all got a lot of explaining to do, but for now we’re fine. I somehow convinced the diner to take you home, Clementine.